Sunday, 14 January 2018

Who's telling our stories - Reviews of some of Aotearoa's finest pukapuka

For this assignment, we were asked to pick 10 Kiwi books that we really wanted for our library. The aim was to present our wants to a panel, and why we needed these books in our collection. The school setting is loosely based on my own school. 


Setting and Users: My setting is a decile 5 primary school library in urban West Auckland. The community is diverse with 40% pakeha, 15% Maori, 15% Pacifica, 20% Asian, and 10% other ethnicities including Middle Eastern, Russian and Czech. The current library has lots of children’s stories with white families, teddy bears and dinosaurs, and simply not enough diversity represented in it’s collection.
The children all have 45 minutes allocated to their class each week, and the library is open for half of lunchtime everyday and is open to all. The library holds some lunchtime events and ‘reading to’ sessions a few times a term. Children at the school are readers, however writing can be a struggle for many. Fiction and picture books are very popular amongst our students, but the non-fiction section is lagging behind a bit. There is a focus this year to promote this section.

Teachers at the school are beginning their journey of integrating more Te Reo and Te Ao Māori into their lessons and curriculum planning. Diversity is a central theme to the school as they celebrate Matariki, Chinese New Year, and Diwali every year with whole school celebrations, alongside Pasifika language weeks. Environmental themes are always integrated into the year long curriculum.

(NB: I have only chosen books for a primary school, as I am a teacher in one and want to focus on books for my students and school library.)

Fiction
What
Tipene, T. (2016). Māui - Sun Catcher. Oratia: Oratia Media.
Where
This is a modern retelling of the traditional myth ‘How Maui Slowed the Sun’ by Peter Gossage. I will place this story in our fiction section, as our children will recognise and make connections to the older versions which can sometimes be lost in the non-fiction section. Our students will be impressed with the vibrant text and illustrations in the new version.
Our current collection does not have many bilingual texts, and this will appeal to many of our school’s whānau, and might inspire non-Māori speaking homes to have the option to read it in te reo, as well as encourage the teachers to give it a go! Students who are fluent could be the kaiako (teacher), and read it to the class as well.
Why
This book has a superhero appeal which links to popular culture currently. We are in the process of building up our high interest books, and this one will fit right in. The hardcover book is sturdy, so it will survive general wear and tear, and for $25 is great value for money. The illustrations are vibrant and energetic, alongside the text which uses colloquial terms and typical kiwi phrases such as “gas up the car”.
With the NZ Statistics Te Kupenga 2013 survey showing that the use of te reo Māori is growing, from 42% of Māori having some ability to speak te reo, to 55% in 2013, having a collection of bilingual books is important for our community, and our nation to continue to have texts available in both languages.

What
Aiono-Iosefa, S. (2007). The Pipi Swing. Birkenhead: Reed Publishing.
Where
Many families in our school have only solo parents due to death, separation or divorce, and there are not many quality books which normalise or address this. However, this special book does. The Pipi Swing tells of a whānau still grieving the loss of the father, but how through family, life can go on. The family is Samoan, and our collection is lacking in good quality books being told through a Samoan lens.
Why
This story represents a solo parent family excellently as the text handles the tough subjects of grieving and a single mum with the perfect combination of delicacy and a matter-of-factness.
The main character, who’s affectionate nickname is Sweetpea (12 years old), lives with just her lawyer mum as her dad was killed a few years back by a drunk driver. The book gently shows the grieving process that her and her mum went through during that hard time, but how dad is still a part of their lives with daily traditions like kissing his photo. The main focus of the story involves family life and grandparents, and how life moves on while still being connected to our loved ones. The illustrations are gorgeous in this book, and the characters’ emotions are expressed wonderfully on each page. There are also pictures that our students can relate to including the beach and the Pak’n’Save grocery bags, our local supermarket.

What
Szekely, C. (2016). Rona. Wellington: Huia Publishers.
Where
Our current collection is lacking in good quality beginner chapter books written by Kiwis for students who are transitioning to harder texts. Rona is a funny, quirky character in this beginning-to-read chapter book. She lives with just her grandparents, and no explanation is given for this. I like the fact that this is presented as a normal living situation, as it is for many children in our community, many of whom do live with grandparents, as well as their parents.
Rona is Māori, and it’s through her eyes that the story is told. Again, I am wanting to build up our collection of stories told through a range of diverse cultures, and this is another fantastic addition to our collection.
Why
Rona is only $15, an excellent price. The cover is eye-catching, showing the rambunctiousness of her character. The text can be quirky, coining terms such as ‘liar from Kaitaia’ which students will relate to, and it is just a jolly good read with lots of humour, and real life interactions with her cousin Jessie, which do not always go to plan.

What 
Pulford, E. (2016). Rasmus. Auckland: Scholastic NZ
Where
I am wanting to include as many award winning books into our collection as possible, and Rasmas was a winner of the Storylines Notable Book List 2017. This heartfelt story explores boys and their emotions, and I think our collections can always do with more of that! There is a beautiful line when Danny is saying goodbye to his pet goat Rasmus: “As he did, it felt as if he was saying goodbye to a part of himself.” We need more examples of children, especially boys, processing emotions in a healthy way, and this is a prime example.
This book also explores the tension for children who have had to move from a country location to an urban environment (or vice versa). Kiwi kids have many family connections to both the city and the country, and it’s great to see a story addressing this.
Why
This book has exquisite illustrations of human emotions with Danny’s down cast eyes when he is saying goodbye to Rasmus, to his sadness showing how lonely he is in the city, to his joy when seeing his dad again after a long time. The illustrations in this story could stand alone without the text, and is perfect for our juniors who are taught to ‘read the pictures’ when a text is beyond their level. It is a lovely story which shows some human emotions and truths.

What 
Clarke, M. (2016). Tu Meke Tūī! Auckland: Mary Egan Publishing
Where
Admittedly our collection does already have lots of books on Native NZ birds, but what stands this apart is that this book is a work of art in itself. It is a fantastic book to have on display in our children’s picture books section, as children and teachers will be drawn to it immediately due to its dynamic presentation. The art gives it a fresh take on a common subject. Our community does have a graffiti problem, and this book can show spray painting being used for good as an art form.
Why
This book is great value for money, as it is a board book which is sturdy and will be a long lasting part of the library. The book covers themes of difference and being oneself, as well as friendships between an unlikely pair. I like the added feature of the ‘Did you spot…?’ section at the back where students are encouraged to go back and find other native creatures from Aotearoa.

Non-Fiction

What 
Grace, P. (2015). Haka. Wellington: Huia Publishers.
Where
The haka is an important part of our kiwi identity, and just a plain awesome part of our rugby games. This beautifully illustrated book gives a historical background to the haka in story format, and tells of Ngati Toa chief Te Rauparaha and how he came to compose the haka. Many New Zealanders would be ignorant about the meaning and background of the haka, and this will give explanations to our children and their families, many of whom might not know either.
Why
The warrior cover will be of instant appeal, especially to our boys, some of whom are reluctant readers. The illustrations are beautiful pieces of art, with fine details right down to the dirt in the fingernails. The book encompasses some te reo, and again this normalises and exposes all our children to New Zealand’s Māori community and the importance of continuing to promote the language.
Many Māori identify their language and culture as a taonga (gift) to pass on to future generations, and this gift can be extended to all New Zealanders by giving more understanding of the culture, and of the haka. One of our schools aims is to continue to build up and bring pride to our Māori students, and I think this book does a fantastic job of both, while also being a book that other students can relate to.  

What 
Riley, D. (2015). Samoan Heroes. Auckland: Reading Warrior
Where
As our library already owns We are the Rock, (2012), Tongan Heroes (2016) and Cook Island Heroes (2017), Samoan Heroes will complete our collection in this series. It is relevant to our school as we have a strong and proud Samoan community, and I want this to be represented in our library.  This book will be categorised as non-fiction but I will display it and discuss it at our whole school assemblies so that students know where to find it, as I believe it will be in hot demand due to its relevance, and to the connections to our students, both Samoan and other. I believe our reluctant readers will be drawn to this book, and the others in the series, due to the concise biographies on a great selection of inspiring people.
Why
This is another Storylines Notable Book Award Winner 2016. Due to the smallness of NZ, and our 6 degrees of separation, many of the public figures in the book have lived in New Zealand and are well known to most of our students. Samoan Heroes has so many people of relevance to our children and community as it showcases actors, rappers, politicians, academics, and both national and international sports stars. This book has a unique style of seamlessly weaving both ancient myths with current biographies, and it gives a sense of pride to the Samoan community.

What 
Harper, G. (2016). Gladys goes to War. Auckland: Penguin Random House NZ
Where
Whilst our library collection holds many war stories about males, the female department is considerably lacking. This story is a breath of fresh air telling of Gladys, a female mechanic, who shows determination and grit and a drive to be herself during World War One. This book adds nicely to our other stories of Glyn Harpers, including Le Quesnoy: The Story of the Town that New Zealand Saved (2012), Jim’s Letters, (2014), and Roly the ANZAC Donkey (2015).
Why
I love books that encourage challenging social norms, and having the courage to be oneself, and this book is another fantastic example of that, whilst having the added bonus of being a true story. It is also a winner of the Storylines Notable Book Awards 2016. The illustrations by Jenny Cooper are outstanding and mostly light hearted, a hard balance for a book on war, but she has achieved it. This book reads like a narrative, but has the added bonus of more historical information on the real Gladys Sandford on the very last page for students who are curious to learn more.

What 
McCauley, D. (2014). Mōtītī Blue and the Oil Spill. Tauranga: Mauāo Publishing.
Where
Our school has a big environmental focus each year, and this fantastic non-fiction book will be an asset to our school due to its real life situation. Its particular focus on one key character, Mōtītī Blue, a real little blue penguin who survived the Rena oil spill in 2011, gives the added benefit of seeing the actual effect of the devastating accident on one of our sea creatures. With it’s narrative style of writing, combined with facts in stand out boxes alongside the story, this book makes an impact. Living in Auckland with so many beaches available to us, our children have a natural understanding about the effects this could have on our day to day living and environment.  
Why
This is another award winning book, with the bilingual text being a fantastic addition to this story as it continues to teach and normalise te reo Māori. There is so much information conveyed in this book, from the inside cover pages that give a visual representation of the 365 penguins returned safely back into the wild, to the boxes of facts on each page covering the smaller details of the rescue. It is well laid out and easy to follow, whilst still being visually appealing.
Studies show that children can respond to and take action for their environment and can influence their families and peers to make sustainable changes that will impact on the future (Davis pg.22), and I believe that books that teach us about man made disasters will have a great impact on our future generations and will hopefully prevent further catastrophes like this.

What 
McCartney, T. (2017). A Kiwi Year: Twelve Months in the Life of New Zealand’s Kids. Auckland: EK Books.
Where
This book will be displayed in our junior non-fiction and will be beneficial to junior and middle school teachers at the beginning of the year. I believe this is an excellent book to compare and contrast with ideas that are traditionally kiwi, compared to new traditions coming through, and how all families are similar, and yet different. It is unique in that it presents a vast array of different foods, activities and holidays in our country during certain times of the year, including Chinese New Year, Diwali, and Matariki. This is a great book that incorporates many different traditions and ideas about what it is to be “kiwi”, and is very representative and accepting of our diverse community and how that has changed in the past 40 years.  
Why
I like how there is so much variety of tradition all captured in one book. The text and pictures are simple, yet capture the eye, and the text and illustrations are designed well in the layout without feeling cluttered. The text is also fun to read with different colours and size for words of importance.

References

Davis, Julie M.. Young Children and the Environment : Early Education for Sustainability, Cambridge University Press, 2010. ProQuest Ebook Central, https://ebookcentral.proquest.com/lib/opt/detail.action?docID=564447.

Stats New Zealand Tatauranga Aotearoa. (n.d). Te Kupenga 2013 (English) - Corrected. Retrieved from http://archive.stats.govt.nz/browse_for_stats/people_and_communities/maori/TeKupenga_HOTP13.aspx

The Daily Cafe. (n.d).  Three Ways to Read a Book. Retrieved from https://www.thedailycafe.com/articles/3-ways-to-read-a-book


Excellence in Children's Fiction

Here is the second part of Assignment 1 for my Open Polytechnic paper. We needed to discuss what made for excellence in a fiction book. We also needed to discuss how libraries can best meet the developmental needs of students in terms of reading and information gathering. 

Step 4: What makes for excellence in a fiction book for a particular reader group?

This is a great question for me to answer as a Year 3 and 4 teacher and school librarian: What makes for excellence in a picture book for children in the middle school, aged between 7 - 12?

Author engagement and humour: Books that are interactive and make students laugh often will have them begging to be read repetitively. In B.J Novak’s The Book with No Pictures (2014), the children engage with the author and “make them” read ridiculous statements. Hysterical laughter ensues as you read words like “Boo Boo Butt” in a voice like a robot monkey. Mac Barnett’s Chloe and the Lion (2012) and Herve Tullet’s Press Here (2010) are also hilarious books where the children are completely engaged in the story. As a middle schoolers sense of humour is becoming more sophisticated, it will appeal to them on numerous levels. (Cerney, Markey & Williams, 2006).

Strong characters: As students of this age are becoming more independent cognitively, it is important to read stories with characters who have depth, face challenges and show resilience, and possibly have a variety of experiences and opinions (Van Orden & Strong, 2007). In Ghost (2016) by Jason Reynolds, you discover Ghost Cranshaw and his friends have wildly different perspectives and upbringings, but manage to learn from each other and to find some common ground in running track. Mo Willems also gives us the headstrong character of Pigeon, who always has a funny stubborn take on life that children instantly relate to.  

Diversity: Having families and characters with diverse backgrounds, abilities, and beliefs promotes empathy and understanding of the world around us (Johnston, 2013).  Children need to see themselves in stories, and if they are only offered books filled with one ethnicity and teddy bears they will not feel represented or connected to literature. In Fiapule (2007) by Catherine Hannken, the book doesn’t focus on Fiapule’s being Samoan, but rather about his feeling of being torn between being at a family christening or his best friend’s birthday, a theme that is very relatable for many children and their whanau. My Two Grannies (2007), By Floella Benjamin, represent families of different ethnicities coming together to represent many of the blended families we have in Aotearoa. In Ian’s Walk (1998) by Laurie Lears, we see a sister and her autistic brother. I believe children need to see families and characters like theirs in picture books.

Quality text and illustrations: Guess How Much I Love you (2004) by Sam McBratney is a classic example of a thoughtful text and moving illustrations involving a conversation between a mother rabbit and her son about the amount she loves him.  The watercolors connect the parent and child’s loving relationship perfectly, creating a timeless story about love. Though there is not much text in Beautiful Oops, (2010) by Barney Saltzberg, it has fantastic images of accidents turned into lovely products. This books promotes a message of resiliency and creativity that I believe will stay with students as they journey through life. Deeper meaning in books can make such an impression on a young person.

Stories that stand the test of time:  My favourite childhood classics included The Monster at the End of this Book (1971) by Jon Stone, Just Me and My Dad (1977) by Mercer Mayer, and all of Richard Scarry’s books. Children will be drawn to a variety of stories of fantasy, fiction and non-fiction as favourites. Who knows what qualities will draw a child to a particular book, but our job as teachers and librarians is to provide that guided choice of good quality books (Lee, 2009) to help them find that book that will hold a special place in their heart throughout the years.


References
Cerney, R., Markey, P., & Williams, A. (2006). Outstanding library services to children: Putting the core competencies to work. Chicago, IL: Association for Library Service to Children, American Library Association.

Johnston, I., Shariff, F. (2013). Who Does This Text Think I Am? Exploring Questions of Subjectivity Through Diverse Picture Books. In I. Johnston (Ed.),  Reading diversity through canadian picture books : preservice teachers explore issues of identity, ideology, and pedagogy (pp. 41 - 55). Retrieved from https://ebookcentral.proquest.com

Lee, D. (2009, January 20). Re: On picture books [Web log]. Retreived from http://goodbooksguide.blogspot.com/2009/01/on-picture-books-by-daphne-lee.html

Van Orden, P. J., & Strong, S. (2007). Fiction. In Children’s books: A practical guide to selection. New York, NY; Neal-Schuman.

Step 5: Reflect on the developmental stages of children and young people, and discuss how libraries can best meet the reading and information-seeking needs of these readers. Give at least 5 examples of things libraries can do that I consider best meet the needs of young people.

Libraries are such an important resource and information cornerstone for every community. Below are five ways that I believe libraries can best serve children, young people and their Whanau.

Libraries are responsible for serving their community and that is done best by representation and listening. The LIANZA Code of Practise states that librarians are to assist and facilitate the flow of information and ideas without discrimination. (“LIANZA Code of Practise” (n.d)).  The Code of Ethics in the ALA (American Library Association) covers equity for all customers and “accurate, unbiased and courteous responses to all requests.” (Cooke, 2016). But being treated with a smile is not enough. Families need to feel invited and welcomed into this shared space as if it was there own, and when they feel comfortable then it will naturally be a place where they will want to bring their children.

Libraries are civic centres that can offer a variety of often free events. The public library is a community space, and librarians do well when they are engaged with communities and know their wants and needs (Cooke, 2016). Libraries meet these needs with lots of different activities for children including ESOL groups, song and dance for under 5’s, cultural and language weeks, book clubs for all age groups, after school clubs and homework centres for children. All of these activities meet the children where they are at developmentally and provide support and a sense of fun to their lives.

The diverse needs of the community need to be met in the library setting. This includes a physical space that is accessible to both able and disabled children, shelves of the right heights for browsing, safe crawling areas for babies and toddlers, and a separate space for teenagers. Teenagers are transitioning to adulthood, and their space needs to reflect privacy and to have a sense of sophistication that does not link them to children (Cerney, Markey & Williams, 2006). Also, having a diverse collection of books that represent the community in story, illustrations and languages will help people to connect to their library.

Librarians are passionate about books, and need to know their audience well and be accessible to them. Children often don’t know what they need or want in terms of book selection, so having a skilled librarian who can ask the right questions is essential. Amy S. Pattee (2008) suggests using the KWL method, asking the following questions - “What do I know?”, “What do I want to know?” and “What I learned?”. The goal is to teach children and young people to be information seekers independently, and that comes from the librarian modelling the research and book finding process with them.

Reader’s advisory helps tamariki to select the exact books they need at the time, whether for work, study or pleasure. It is also to promote new books and the library collection (Sullivan, 2005). I believe that having the community contribute to these displays creates a sense of belonging and ownership. In my own school library I have had displays that involve both students and teachers. A few examples are having teachers recording themselves discussing their favourite books and students being able to issue those exact books; a Valentine’s display which had students showing their favourite books with a love heart that says “I love this book because” and then a statement explaining their choice; Bookface posters; A BFG (Roald Dahl, 1982) display where children wrote their own dreams in jars to put on the wall. Children at my school loved being a part of the displays and seeing their friends in our shared library space. Children at my school loved loved being a part of the displays and this gave them agency and ownership to contribute to their space.
All of these things, and more, contribute to fantastic library services that best serve our tamariki.








A link to my personal blog to see the library displays in action. http://westernheightslibrary.weebly.com/)

References
Cerney, R., Markey, P., & Williams, A. (2006). Outstanding library services to children: Putting the core competencies to work. Chicago, IL: Association for Library Service to Children, American Library Association.

Cooke, Nicole A.. Information Services to Diverse Populations: Developing Culturally Competent Library Professionals, Pearson Education, 2016. ProQuest Ebook Central, https://ebookcentral.proquest.com/lib/opt/detail.action?docID=4742121.

Dean, J. (2008, May 7). When the self emerges: Is that me in the mirror? [Web log post]. Retrieved from http://www.spring.org.uk/

From the LIANZA Code of Practice - Part One: General Administration and Procedure (n.d) Retreived from  https://lianza.org.nz/sites/default/files/LIANZA%20Code%20of%20Professional%20Conduct_0.pdf#overlay-context=about-us/governing-documents

Pattee, S. (2008). What do you know? Children and Libraries: The Journal of the Association for Library Service to Children, 6(1), 30-39.

Sullivan, M. (2005). Reader’s advisory. In Fundamentals of Children’s Services(pp. 96 - 105). Chicago, IL: American Library Association.



Open Polytechnic paper - Literature and Information Resources for Children and Young People


I'm two thirds of the way through my Open Polytechnic library paper, as named above, and I'm loving it! It has been a mental shift for me to get back into proper academic studying (APA referencing anyone?!), but it is fantastic to be deep in the library world of research and discovery. It has continued to highlight my passion for children's and YA literature, and my holds list at the local library is often up to 40 books at a time.

Here's a link to my first assignment - Book reviews for junior fiction, middle school readers, and teens.

Miss Eyre's review of Press Here by Herve Tullet

Miss Eyre's review of The Hate U Give by Angie Thomas

Miss Eyre's review of the Dragon Defenders - Book 1 by James Russel




Saturday, 18 November 2017

Nathan Wallis - The First Thousand Days

Nathan Wallis - The First Thousand Days

Another great video explaining why the first 1000 days of a child's life are so important. Language and face time for children to decode what they need is vital. They can get this from Mum or Dad, or another committed care-giver. Day cares can give it too, if one teacher is in charge of a few children for 80% of the time, not passed around to many different people.

Wednesday, 8 November 2017

Nathan Wallis - The Developing Brain from 3 - 7

Last night I went to hear Nathan Wallis talk about neuroscience and brain development in children aged 3 - 6 years old. He had so many amazing things to say and was hilariously funny too!

Some things to note:
  • The first 1000 years of a persons life are the most important for brain development. Face to face contact, smiling at your baby, and lots of talking help your baby to collect all the data they need for life.
  • Through the years of 3 - 6 the most impt thing for children is to play, play, play.
  • Chn don't need to spend time at kindy getting ready for school. That's what school is for!
  • Us first born females rule the world haha! We get a lot of face to face time with our parents as there are no other children yet. Birth order importance doesn't matter if you're not the first born in terms of success.
  • Male frontal lobes not really fully developed until 26 - 32. Females between 18 - 24. Average is 26. Of course, it sways either way too in terms of averages.
  • We mostly measure success in children on language, not motor skills for example. One lady asked "How do you get a 5-6 year old boy to focus?" and Nathan answered that his focus was probably motor skills. If you asked him to be a transformer with his body for half an hour, he could probably focus. In reading or writing however, he might struggle with those tasks. Developmentally they might just not be ready.
  • Stop expecting 5 year old boys (especially) to act like 7 year olds etc. And don't compare their development to girls, as it's not a fair comparison.
  • Having children saying sorry - Often it might be a chuck away 'sorry' and doesn't really change anything. Instead asking the child "How are you going to repair this relationship?" makes them take more ownership. He also said that for a 2 year old, you'll have to do about 90% of helping them with the apology. When they're 5, you might help 70% of the time etc. Students need your help in these situations.
  • Be kind to children and don't push them too hard too fast. Children will learn to walk and crawl when they are ready. By us standing them up before they are ready doesn't help them. It's the same with reading/learning etc. 
Thoughts on my future practice:
  • It's really interesting seeing boys in my class who I can identify as just needing to play still, even though they are 7 and 8. I'm wondering how I could possibly incorporate more play time in for them during the day. I do let them have developmental around once a week, but am wondering where else I could fit it in. Lots of the boys in my class still love the blocks and equipment.
  • It's a really hard balance in our current education system to fit in play,  as parents and the community want to see us 'teaching' and that is measured in language mostly. The National Standards should apply before Year 3, in my opinion as it is just not fair, espcecially as then students who are below hear that they are below for 2 years, which is not going to help their learning either. 

Monday, 30 October 2017

I'm a student again! Eeek!

72276 Literature and Information Resources for Children and Young People


I've just started the above course, through the Open Polytechnic - Kuratini Tuwhera. I will record my notes in this blog as part of my professional development.

Reading One: Knowledge of the Client Group
Cerny, R., Markey, P., & Williams, A. (2006). Outstanding library service to children: Putting the core competencies to work. Chicago, IL: Association for Library Service to Children, American Library Association.

  • Libraries have direct links to communities, so staying in touch with local services, and up to date with other community groups helps you to best cater for your own clientele. 
  • Children and YA go through different stages of development and it is important for the library to reflect those stages.
  • Involving parents and engaging with them is important for families and their children as the aim is to build and encourage literacy for all. 
  • Librarians generally work with the widest age bracket of all educators, from infants to the elderly.
  • Change is always happening and librarians need to keep up with those changes, both in society and community, and also technology.
  • Librarians also need to build relationships with educators to engage with them and their needs for the students they are working with. The aim is to make a symbiotic relationship.

Key stages of development and how that effects a library

Infancy - 0-2
Biggest stage of growth and development, egocentric and dependent on family, all experiences sensory; perfect time to start reading out loud to baby and engaging with them through tone and language. Modeling from parents huge.
Toddlers, ages 2-3
Beginning to refine physical skills and showing some independence while asserting self more, understanding more concepts like cause and effect, likes to play independently still. Library programs and reading should still involve caregiver, and books with lots of repetition, rhyme and simple stories.
Preschool, ages 4-5
Highly developed language skills and is playful with language too, enjoys sequencing, rhyme, silly stories, beginning to understand bigger world than just family and home; At library can sit for longer periods of time and do simple activities with independence.
Primary, ages Y0-2
Beginning to think logically and learning is hands on, asking lots of questions, and personal life still dominates thinking and emotions; At library they are beginning to enjoy reading themselves and have a more developed sense of humour and of bigger concepts.
Middle grades, Y3 & 4
More independent academics and complex reasoning, while having mind opened to new concepts, enjoys collecting and hobbies, becoming own person more with sense of individuality, and influenced by outside friends more than family.
Preadolescents, Y5 - 8
Beginning puberty, can reason and research and find information and make up own mind about thoughts and opinions, starting to become self conscious and challenging authority, but still needs family, becoming more socially aware of others and self. At library developing new needs from books, possibly books about popular culture and friendships/relationships.
Adolescents Y9 - 13
Final spurt of brain development, lots of hormonal changes and physical changes more or less done, often seen as a child in an adults body, but ready to act as an adult, while also displaying toddler tendencies. Will need own space in library away from what might be seen as 'children's' sections, and will need to be treated as adults from library staff.

Thoughts/implications for my own practice
  • I have been thinking about how best to change up the non-fiction as it seems to be such an under-utilised section of the library, due to the amount of books, and the disarray of the dewey decimal system. This course has already had some conversations about how to group non-fiction differently, and the networking meeting I went to the other day suggested different ideas too. I will keep thinking about this, as I am thinking of separating out a junior non-fiction area to make it more accessible to the junior children.
  • It's a good reminder about child development as we are moving into a new space, so I will keep these thoughts in mind when we are creating our new library space, with the needs of the different age groups.
  • I like the idea of a new space for early chapter books to transition the early readers from about Year 2 into chapter books. I saw this at Waimauku Primary and was inspired. Space in the new library might be tricky, but I'll see what we can do.
  • This year I have already been doing a major buy up of books with really diverse looking families to try to represent our school community more. I have purchased a few books with mixed race families, as our school is very multicultural. When we displayed our languages books and I promoted them in Whanau Time, those books were hot off the display shelves, which was encouraging. 
  • I'm wondering if potentially we could open the library up one afternoon a week, so that families can come in and enjoy the library with their children after school. Hmmmmmm......














Restorative Justice PD

When a child can't read, we teach them. When a child can't write, we teach them. When a child can't behave...... we punish the...